Saturday, February 28, 2009

Passchendaele

By Paul Gross.

passchedaele2Passchendaele was one of the major battles of The Great War (WW I), one in which the Canadians played a key role.

By all accounts Passchendaele was a bloody affair that became synonymous with the misery and sheer brutality of WW I trench warfare. From Wikipedia:

“More than any other battle, Passchendaele has come to symbolise the horrific nature of the great battles of the First World War.

In terms of the dead, the Germans lost approximately 260,000 men, while the British Empire forces lost about 300,000, including approximately 36,500 Australians, 3,596 New Zealanders and some 16,000 Canadians from 1915 to 1917. 90,000 British and Dominion bodies were never identified, and 42,000 never recovered. Aerial photography showed 1,000,000 shell holes in 1 square mile (2.56 km²).”

It’s against this horrific backdrop that Gross presents the reader with what is, at its core, a love story.

And although it’s a good story, the book suffers from the fact that is was produced from the original movie screenplay. While a screenplay is written such that character development, situational context, etc., can often be provided or enhanced through visual means, a  novel does not have that option and must rely on the written word and turn of phrase to truly engage the reader. And this is where the book failed, in my opinion. While the translation was a decent effort, the book lacked the literary punch one should expect from a well-written novel with such rich and powerful subject matter.

With all its faults, Passchendaele is an “okay” read, but certainly not in the ranks of great WW I novels (eg. Birdsong, Three Day Road, Regeneration).  If you want to read it, pick it up at the library if you can. And while I have yet to see the movie, I expect it will be much more enjoyable than the book. 

Zen and Now

By Mark Richardson

Zen and nowZen and Now: On the Trail of Robert Pirsig and the Art of Motorcycle Maintenance is a road story with a twist.

From the cover liner:

Richardson … was struck by [Zen and The Art’s] portrayal of Pirsig’s complex relationship with Chris and struck by the timelessness of its lessons.

So Richardson tuned up his old Suzuki dirt bike and became a “Pirsig pilgrim””.

Richardson neatly blends his own experiences on this trip with those of Pirsig some 36 years earlier. He follows the same route, visits the same places, and meets many of the same people that Pirsig encountered. And in the process comes to better understand himself, the Pirsigs, and Zen and the Art.

But Richardson takes it beyond a simple road story with his extensive research into the lives of the Pirsigs beyond what we learn in Zen and the Art.  The murder of Chris in San Francisco, the marital breakup, the relationship with the other son, Tom, all combine to add an interesting third dimension to Zen and Now.

Bottom line: If you’re looking for something deeply philosophical, read Pirsig’s second book, Lila: An Inquiry into Morals. But if you want a book that will keep you turning the pages and perhaps trigger an impulse to become a Pirsig pilgrim yourself, Zen and Now is a worthwhile addition to your motorcycling library.

When walking, just walk.
When sitting, just sit.
Above all, don’t wobble.

Thursday, January 15, 2009

One Percenter

By Dave Nichols.

One Percenter is probably the most poorly written book I’ve ever read, which is too bad because there is the potential of a decent book in amongst all the whining about misunderstood and universally picked on bikers (“You couldn’t even ride your scoot down to the corner store for a pack of smokes without getting pulled over for any number of bullshit violations.” ), the RICO Act (“Welcome to America, land of the free...as long as you don’t ride a motorcycle that is.”), and frequent plugs for Easyriders magazine (of which he is the editor) and Harley-Davidson.

Clearly he has a pretty good handle on the history of the one percenter, and his observations on such diverse topics as rubbies (rich, urban bikers) and the reality TV custom bike building world (OCC, Biker Build-off) are interesting. But Nichols is all over the motorcycling map providing a brief history of piracy, talking at length about biker films good and bad, dissing the Hamsters (“Rolex riders”) while providing the reader with the complete bylaws of The Weasels (apparently an Easyriders creation), and ending with a pitch for environmental responsibility. And except for a multi-page rant on the RICO Act he glosses over (ignores?) the entire subject of the descent of motorcycle clubs from “good natured drinking clubs with motorcycle problems” to the modern day criminal enterprise that some clubs have become – or perhaps that’s just because his 10-page list of every American motorcycle company since 1903 needed the space.

One Percenter is desperately in need of a good editor. The quality of the writing is awful (“servicemen who fought ... in the muddy trenches during World War II”?) and as indicated above, the book lacks any kind of focus other than anything to do with motorcycles. As published, it reads like a stream of consciousness as Nichols bounces from one topic to another, often in mid-paragraph, only to come back around to the same point pages or sometimes even chapters later. To call it a jumble is being charitable.

You wouldn’t miss much by not reading this book at all, but if you are someone who needs to read every motorcycle book you can get your hands on, wait a month or two and save your money. One Percenter is destined for a very short shelf life and should be in the bargain bin for a buck or two well before the riding season begins.

Sunday, January 11, 2009

Through Black Spruce

By Joseph Boyden

Through Black Spruce is a beautifully-written and tightly wound story of a Cree family from Moose Factory, Ontario. It is a contemporary tale of intrigue and violence, terror and beauty, loves lost and love found, but most of all, the family and the strength of the ties that bind it together.


Will Bird is in a coma from which the doctors think he will never emerge. Annie is his adult niece who visits him in the hospital daily, talking to him, holding his hand, refusing to let Will give up.

The story comes out in pieces as Boyden alternately takes us inside Will’s head as he lays comatose, and then to Annie who initially struggles to find something to say to her uncle and then increasingly uses their long, one-sided talks as an opportunity to put voice to her own life.

What emerges is a picture of a family beset by more than their share of troubles, but also a family that has held together with faith and determination. And woven throughout is a rich portrayal of life in Canada’s north, on the ‘wrong’ side of the Moose River.


Boyden strikes a fine balance in the telling. Despair and hopelessness is countered with optimism and liberal doses of wry humour – an elder living on the streets of Toronto hosts goose cookouts under the Gardiner, and has an e-mail address; a drinking buddy declines to take up jogging, saying, “I thought about it, but my truck’s running fine, so I don’t see the point.” His characters are alive, and his descriptions of life – whether alone on a trap line in the northern woods, or living on the streets of Toronto – draw the reader in, until it seems they become part of one’s own experience, not simply written words on the page.

This is a fine novel and a great read. Highly recommended.

Monday, December 29, 2008

Riding on the Edge

By John Hall.

“Sure we got into some shootings and serious shit. But most of it was just good, clean fun, like drinking beer all night and standing up on the seat of your motorcycle, drunk and without a helmet, at three o’clock in the morning, while you blew every red light on Hempstead Turnpike.”


I suppose one could debate whether that is an apt description of “good, clean fun”, but what I found quite interesting about this book was that Hall describes a 1960’s outlaw scene that was totally devoid of any criminal activity of a serious nature – no drug dealing, no trafficking, no prostitution – just “good, clean fun”. And so I suspect that there’s either a lot Hall left out of the narrative or there’s quite a bit of revisionist history being presented here.

But while Hall may have been selective in his recollections, Riding on the Edge still opens a window on the outlaw culture at the time and the early days of the Pagans as they began their march to become, according to the book’s jacket, “the most violent criminal organization in America”.

The story line is pretty typical and quite repetitive – getting drunk, taking offense, trashing bars, screwing underaged groupies, internal power struggles, who’s righteous and who isn’t. Reading about all that is good clean fun in its own way but what really differentiates this book from others of the same ilk are Hall’s periodic detours into the history of the Pennsylvania Dutch, the Mennonites and the Brotherhood of Zion, observations on Polish family traditions, and so on. Finding these gems scattered among the wreckage of yet another trashed bar or run-in with the authorities is what makes the book readable and kept me turning the pages (I read it in 2 days). It’s still not great literature, but it’s a decent, entertaining read.

Oh, and one last nit to pick: the inside cover says, “In the 1960s, John Hall, a Harley-riding hell-raiser hooked up with the Pagans...”. According to the book, Hall rode a 1963 Triumph TR-6.


Saturday, December 27, 2008

Riding with Rilke

By Ted Bishop.

Ted Bishop is an English professor at the University of Alberta. He is also an avid motorcyclist. So when an opportunity presents itself to combine both his passions, he leaps at the chance, and the result is quite an amazing tale.

At first I wasn't too sure how the motorcycle/university research pairing would work, but Bishop pulls it off and delivers a very good read indeed. Part travelogue, part literary research project, part passion for motorcycling, this book has it all.

From the portrayal of his (real life) accident to the narrative on how he developed his obsession with Ducati’s, the story has a feel of authenticity to it – been there, done that, got the t-shirt – and long-time riders will be able to relate with (mostly) fond recollection to Bishop's insights and humour. His brother’s instructions on how to bump-start a Ducati 250 cc Mach 1 took me back a lot of years (“You put it in gear, hold in the clutch, and push it. When you get running you hop on it side-saddle and let the clutch out at the same time, then hop off and keep running. It’ll catch, and then you pull the clutch back in and rev the throttle.”). And his descriptions of the feel of a truly 'great' motorcycle as you throw it through the curves and twisties of your favourite off-the-beaten-path riding roads are right on the mark. As for the agony of bad-weather riding – Bishop’s narrative had me shivering from the remembrance of water dribbling down the back of my neck on rides taken 30 years ago.

Interesting and well-written, Riding with Rilke deserves a place in any motorcycling library – right between Zen and the Art of Motorcycle Maintenance and Long Way Round.

The Eye in the Door

By Pat Barker.

The Eye in The Door is the second book of Pat Barker’s Regeneration Trilogy. Whereas Regeneration focused on the relationship between Dr. William Rivers and Siegfried Sassoon at Craiglockhart, this book deals with life on the home front in 1918 and the relationships between one soldier, an intelligence officer, and the various conscientious objectors, war resisters, and homosexuals he comes into contact with in London as part of his duties.

But that soldier, Billy Prior, was also not left unscathed by his time at the front. After a breakdown, he was removed from active combat duties and underwent several months of therapy at Craiglockhart. When ‘cured’ he was attached to the Department of Munitions in their Intelligence Division. It’s during his tenure there that we see him begin to break down emotionally and psychologically. Eventually he is forced to consult with the one man who had helped him previously – Dr. Rivers.

One tends to assume that the war effort was universally supported in England – how else to explain the continued recruitment of young men to throw into the meat grinder of the Western Front – but there was an active and organised resistance to the war in England at the time. The Eye in the Door offers an interesting glimpse of that world and with a narrative that is both compelling and disturbing, Barker delivers a fascinating read that offers one more perspective on The Great War and how it changed a generation.